Traditionally, games were progressive. You, the player, would start at the beginning of a scripted story, and move through environments designed to only revolve around you. When you interacted with the system, something else happened. If you didn’t act, the world would never move or change. Like the protagonist in a play, the antagonists and props are pointless without the hero.
But in recent years of game development, a new trend of emergence has surfaced.
This essay looks at the the characteristics of emergent, complex systems, and the role of the player within them.
The game Don’t Starve, by Klei Entertainment will be used as an example of a complex system, in which the world is designed in a way that nearly ignore the player’s existence entirely.
The essay then goes on to explore, what might attract players to engage with a game world such as this one.
If the game you play pays no mind to you, and if the game gives you nothing for free – if there is no reward system and goal structure – what is fun about playing it?
Continue reading “Why bother with Emergence? – Exploring player motivation in emergent games”
Occasionally, interactive experiences with little to no agency will hit the video game scene, and cause uproar.
Firewatch (Campo Santo, 2016) and Danganronpa (Spike Chunsoft, 2010) is but two examples of games that many refer to as “interactive novels”, instead of “games”.
What I intend with this short essay, is not to validate certain games over others, but rather to explore the reward system in such a game.
How do designers keep hold of consumers’ attention, in an experience that has no agency?
Continue reading “The reward systems of almost-games”
If all media is autobiographical in some sense, then all games are a product of the culture the designer lives and breathes. However, certain games goes beyond their own present time, and instead looks to cultures past.
When a designer strives to pay tribute to a specific author or time-period, do they stay unbiased? Or will the present environment around the designer always sneak it’s way in?
Continue reading “Games as a tribute to culture”
Recently, there has been a popular trend in AAA games, of adding what the industry now calls loot boxes.
This introduces a system, where the player will pay real money, in exchange for the game to drop random in-game items and features.
The phenomenon has been so widespread, that Jim Sterling – a youtube content creator and journalist – even declared 2017 to be the year of the loot box. (Sterling, 2017)
Continue reading “Are Loot Boxes just glorified Skinner Boxes?”
If all media are somewhat autobiographical, then all games express something about the society the designer lives in.
The moment this becomes interesting, is when games dare to ask some of the hardest questions imaginable.
Continue reading “Heavy subjects, and video games”
Game designers are always bending their minds out of shape, trying to master player motivation. How do you make people play your game for tens – if not hundreds – of hours?
Maybe, the solution is simply to let the player design their own experience, with their own reward system.
Continue reading “Let the player be the master of their own Reward System”
Ms. Invader is a fashion-esque magazine featuring loads of gamery goodness.
This includes the blogs from this very website, ranging from January to May 2017!
With smashing topics such as Nostalgia is Ruining Video Games! and Is Authenticity a Lie?, this is the one make-believe gaming-magazine you do not want to miss!
- A very angry manifesto!
- Creepy pictures of half-humans, half-animated characters.
- A 4 page visual essay demeaning your consumerism.
- And a few very pretty photos (I promise).
Simply click to read: